Iago

	When Shakespeare attempted to create the ultimate villain (and I must say he was stunningly 
successful), Iago was the result. This cunningly evil character always keeps the audience guessing at his 
true personality until he has the opportunity to plan in solitude or so gracefully manipulate an inferior 
intellect that he can let his true colors shine while preserving his "image". Such is the case in act I, scene 
III, when he recites to Roderigo a beautifully worded speech revealing his true feelings about life, love, and 
Othello. This near-soliloquy shows us some of the thinking behind Iago's Machiavellian actions.

320	Virtue! a fig! 'Tis in ourselves are we thus or thus. Our 
bodies are gardens, to which our wills are gardeners; so that 
if we plant nettles or sow lettuce, set hyssop and weed up 
thyme, supply it with one gender of herbs or distract it with 
325	many, either to have it sterile with idleness or manured with 
industry, why, the power and corrigible authority of this lies 
in our wills. If the balance of our lives had not one scale of 
reason to poise another of sensuality, the blood and 
baseness of our natures would conduct us to the most 
330	preposterous conclusions. But we have reason to cool our 
raging motions, our carnal stings, our umbitted lusts, 
wherof I take this that you call love to be a sect or scion…It 
is merely a lust of the blood and a permission of the will. 
Come, be a man. Drown thyself? Drown cats and blind 
335	puppies. I profess me thy friend, and I confess me knit to 
thy deserving with cables of perdurable toughness. I could 
never better stead thee than now. Put money in thy purse. 
Follow these wars; defeat thy favour with an usurped beard 
I say, put money in thy purse. It cannot be that Desdemona 
340	should long continue her love unto the Moor,-Put money 
in thy purse,-nor he his to her. It was a violent 
commencement, and thou shalt see an answerable 
sequestration. Put but money in thy purse. These Moors are 
changeable in their wills. Fill thy purse with money. The 
345	food that to him now is as luscious as locusts, shall be to 
him shortly acerb as the coloquintida. (She must change for 
youth.)…


	The main point behind the first section of the "soliloquy" in line 320 is that humans make their 
destinies and rules (Virtue! a fig! 'Tis in ourselves that we are thus or thus ln. 320). Our friendly villain uses 
a metaphor relating a garden to our lives, and gardeners to our independent wills (Our bodies are gardens, 
to which our wills are gardeners ln 321). This view on life has many hidden insights into the character of 
Iago.
First among these is that Iago believes that god is a façade created by people with no heart. The quotes that 
back this up are: 'Tis in ourselves ln 320, corrigible authority of this lies in our wills ln 327 If the balance of 
our lives ln 328, and love to be a sect or scion. ln. 333. We can tell by the connotations of the words Iago 
uses that he does not consider god to be a motivating force in the lives of humans. Take, for instance, the 
use of the words sect and balance; these words normally refer to religion, and god as a major force in the 
balance of a person's life, but Iago uses them to refer to our own decisions, playing down god's importance. 
Secondly, he believes that people who do not get ahead in life and live to get everything possible are 
suckers. This conclusion is backed up by two major statements: sterile with idleness ln 323 and one gender 
of herbs ln 322. The images these words call up in our minds are desolate and pitiful gardeners either being 
just plain lazy, or trying to just scoot by. These quotes also show what a highly motivated person Iago is.
When Iago concludes his tirade about our bodies being gardens, we get an extreme look into his demented 
psyche (May I say it is not a pretty sight). Iago's view about love are not much better than his opinions 
about other people's "gardens". As Iago begins to slander the wedding of Othello and Desdemona he has, 
and uses, many opportunities to also slander against love, and the Moorish race. One such quote is 
These Moors are changeable in their wills. Fill thy purse with money. The food that to him now is as 
luscious as locusts, shall be to him shortly acerb as the coloquintida. ln. 346. The word choice here, as 
always in the case of Iago, carries a hidden double meaning. When he compares Desdemona to food, Iago 
is insulting three different things: the reasons for Othello's marriage, women in general (comparing them to 
food, used only for a man's pleasure), and the entire Moorish race, saying that they are barbarians, who do 
not know how to treat women. 
	When looking at the character of Iago, always look for connotations, and hidden meanings in the 
words he chooses (manured with industry ln 323), and dig deeper to acquire the true picture of Iago, and as 
these quotes are only a few of the warped philosophies Iago has about life. There are no more shown in this 
soliloquy, but one has wonder, what will happen in the next scene.